It's a dynamic and diverse collection featuring his own longtime live band which plays regularly throughout his home base of Southern California - and a true dream list of all-star guests and friends: Jay Beckenstein, Jimmy Haslip, Jeff Lorber, Jay Graydon, Paul Jackson Jr., Vinnie Colaiuta, Peter Sprague and Jeff Kashiwa.
#Srv soul to soul rar archive
cue) Bitrate: lossless Covers: in archive Amount of tracks: 9 Size ZIP: ~ 402 mb Upload: Password: without a password Making an explosive re-emergence onto the contemporary urban jazz scene, Scott Wilkie is truly All In, melodic and funky as ever on his highly-anticipated new album, which marks his first full ensemble recording in over ten years. Catalog #: 614062750904 Style: Smooth Jazz, Pop Jazz, Piano Jazz Year: 2014 Format: FLAC (image +. Britton at Mobile Fidelity Sound Lab, Sebastopol, CA.Performer: Scott Wilkie Album: All In Label: Scott Wilkie Media, Beachmusic Studios. Still, he has good taste in covers, his originals are sturdy, and there’s not a bad performance here, so Soul to Soul winds up enjoyable in spite of its flaws, and it clearly points the way to his 1989 masterpiece, In Step. Perhaps it was because Vaughan was on the verge of a horrible battle with substance abuse at the time of recording or perhaps it just has that unevenness inherent in transitional albums. In fact, for all of its positive attributes, Soul to Soul winds up being less than the sum of its parts, and it’s hard to pinpoint an exact reason why. It’s such a seductive number - such a full realization of his soul-blues ambitions - that the rest of the album pales in comparison. Even if only the tortured blues wailer “Ain’t Gone ‘n’ Give Up on Love” entered his acknowledged canon, he throws in some delightful soul-funk touches on “Say What!,” the instrumental wah-wah workout that kicks off the album, and the Curtis Mayfield-inspired closer, “Life Without You,” captures Vaughan at his best as a composer and performer. Most of this is done through covers - notably Hank Ballard’s “Look at Little Sister,” the exquisitely jazzy “Gone Home,” and Doyle Bramhall’s impassioned soul-blues “Change It” - but Vaughan’s songwriting occasionally follows suit, as well. It’s still a modern blues album, yet it has a wider sonic palette, finding Vaughan fusing a variety of blues, rock, and R&B styles. Or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 891 MBīy adding two members to Double Trouble - keyboardist Reese Wynans and saxophonist Joe Sublett - Stevie Ray Vaughan indicated he wanted to add soul and R&B inflections to his basic blues sound, and Soul to Soul does exactly that.
Stevie Ray Vaughan And Double Trouble – Soul To Soul (1985)
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